This dissertation studies the use of arcuated structures in post-World War II American civic buildings, which serve both to answer the... Show moreThis dissertation studies the use of arcuated structures in post-World War II American civic buildings, which serve both to answer the practical and functional demands of the architectural program, and to communicate a distinct and hierarchical character inherent to the very genesis of civic architecture. This research demonstrates how a generation of multicultural architects, educated in the academic tradition, with the collaboration of structural engineers, participated in the expansion of the syntax and vocabulary of modern architecture at a time when the language of monumentality was also being discussed. In doing so, they moved away from a Bauhaus-German doctrine that promoted a universal, orthogonal, and homogeneous architectural language, serving all types of buildings. In this context, this research redefines the relationship between academic tradition and modern approaches to monumentality in American architecture, which are usually seen as antagonistic languages. To test the hypothesis that these new arched forms, of high structural engineering, were linked to both modern and academic aspects, and more precisely, French roots, this research addresses three main issues: (i) the mistrust of the new monumentality, which was often mystified and associated with totalitarian regimes; (ii) the analysis of this production through pioneering case studies in postwar arched structures; and (iii) the relationship between academic tradition and modern architecture, with an emphasis on the theory of "architectural character." Finally, this research concludes that the construction of this civic monumentality in the United States was not only a rational response to special programs and an opposition to the universal character of modern buildings, but also the result of an immigration of more inclusive ideas, which, reacting with the local tradition and heritage of the Beaux-Arts system, gave rise to an autochthonous American production. Show less
