Sponsorship: Center for the Study of Ethics in the Professions
HASTAC Scholars Fellowship Program
The Coleman Foundation A worksheet for... Show moreSponsorship: Center for the Study of Ethics in the Professions
HASTAC Scholars Fellowship Program
The Coleman Foundation A worksheet for critical design. While the document focuses on "consent" as the design value, you may modify this for any other value. Show less
In this interview, Sofanda relays her experience doing drag and developing her Bingo set, focusing on how she creates a welcoming community... Show moreIn this interview, Sofanda relays her experience doing drag and developing her Bingo set, focusing on how she creates a welcoming community for Bingo players to join in on a Tuesday night. Highlighted here is how Bingo provides an accessible way for designers with little to no game design training are able to develop meaning play experiences. Furthermore, she elaborates on how Bingo extends her own performance of gender and sexuality to the players, inviting them to also perform and play with gender and sexuality. While Drag Bingo highlights an accessible method of structuring play, successful drag queen Bingo hosts must cultivate a liminal low- stakes space for participants to play with performances of gender and sexuality. Oral history project with Sofanda Booz Show less
In this interview, Sofanda relays her experience doing drag and developing her Bingo set, focusing on how she creates a welcoming community... Show moreIn this interview, Sofanda relays her experience doing drag and developing her Bingo set, focusing on how she creates a welcoming community for Bingo players to join in on a Tuesday night. Highlighted here is how Bingo provides an accessible way for designers with little to no game design training are able to develop meaning play experiences. Furthermore, she elaborates on how Bingo extends her own performance of gender and sexuality to the players, inviting them to also perform and play with gender and sexuality. While Drag Bingo highlights an accessible method of structuring play, successful drag queen Bingo hosts must cultivate a liminal low- stakes space for participants to play with performances of gender and sexuality. Oral history project with Sofanda Booz Show less
In this interview, Sofanda relays her experience doing drag and developing her Bingo set, focusing on how she creates a welcoming community... Show moreIn this interview, Sofanda relays her experience doing drag and developing her Bingo set, focusing on how she creates a welcoming community for Bingo players to join in on a Tuesday night. Highlighted here is how Bingo provides an accessible way for designers with little to no game design training are able to develop meaning play experiences. Furthermore, she elaborates on how Bingo extends her own performance of gender and sexuality to the players, inviting them to also perform and play with gender and sexuality. While Drag Bingo highlights an accessible method of structuring play, successful drag queen Bingo hosts must cultivate a liminal low- stakes space for participants to play with performances of gender and sexuality. Oral history project with Sofanda Booz Show less
In this interview, Sofanda relays her experience doing drag and developing her Bingo set, focusing on how she creates a welcoming community... Show moreIn this interview, Sofanda relays her experience doing drag and developing her Bingo set, focusing on how she creates a welcoming community for Bingo players to join in on a Tuesday night. Highlighted here is how Bingo provides an accessible way for designers with little to no game design training are able to develop meaning play experiences. Furthermore, she elaborates on how Bingo extends her own performance of gender and sexuality to the players, inviting them to also perform and play with gender and sexuality. While Drag Bingo highlights an accessible method of structuring play, successful drag queen Bingo hosts must cultivate a liminal low- stakes space for participants to play with performances of gender and sexuality. Oral history project with Sofanda Booz Show less
