Photograph of Mary Dill Henry taken at the opening of a solo exhibition at the Whatcom Museum, Bellingham, Washington, 1988. Inscription on... Show morePhotograph of Mary Dill Henry taken at the opening of a solo exhibition at the Whatcom Museum, Bellingham, Washington, 1988. Inscription on verso: "Mary Henry / Whatcom Museum, Bellingham, Wa / At the opening of her show." Photographer unknown. Show less
Typescript artist statement written by Mary Dill Henry in January, 1988. A Statement describes Henry's means of conceiving her geometric... Show moreTypescript artist statement written by Mary Dill Henry in January, 1988. A Statement describes Henry's means of conceiving her geometric paintings and her thoughts on their size and impact. Show less
Contact sheet of photographs of Mary Henry and her paintings, with some photographs including Estelle Grunewald, artist and founder of Art to... Show moreContact sheet of photographs of Mary Henry and her paintings, with some photographs including Estelle Grunewald, artist and founder of Art to Industry, a business that attempted to connect artists with corporate patrons. The photographs are likely from Henry's solo exhibition in 1967 at the Ampex Corporation in Redwood City, California. Verso of photograph contains a stamp with contact information for Art to Industry: "ART TO INDUSTRY / ESTELLE GRUNEWALD / 4261 RUTHELMA PALO ALTO CALIF 94308 / PHONE 325-4167." Photographer unknown. Date of photographs is unknown. Date range listed is approximate. Show less
Photograph of Mary Dill Henry and her painting Giverny 2, taken at the opening of a solo exhibition at the Whatcom Museum, Bellingham,... Show morePhotograph of Mary Dill Henry and her painting Giverny 2, taken at the opening of a solo exhibition at the Whatcom Museum, Bellingham, Washington, 1988. Inscription on verso: "Mary Henry - Opening at the Whatcom Museum shown with Giverny #2 painting." Photographer unknown. Show less
Photograph of Mary Henry in front of one of her paintings with Estelle Grunewald, artist and founder of Art to Industry, a business that... Show morePhotograph of Mary Henry in front of one of her paintings with Estelle Grunewald, artist and founder of Art to Industry, a business that attempted to connect artists with corporate patrons, likely from Henry's solo exhibition in 1967 at the Ampex Corporation in Redwood City, California. Photographer unknown. Date of photograph is unknown. Date range listed is approximate. Inscription on verso, in addition to stamp, reads: "Please return to ART TO INDUSTRY / ESTELLE GRUNEWALD / 4261 RUTHELMA PALO ALTO CALIF 94308 / PHONE 325-4167 / 60 x 60 Square - black + white / Estelle Grunewald, Director, Art-to-Industry / Mary Henry, Artist." A stamp from the Ampex Corporation's Photographic Department, including the identifier X261-12, is also found on the verso. Show less
Volume 23 of The Cycle, the 1935 yearbook for the Armour Institute of Technology. The Armour Institute of Technology yearbooks was known by... Show moreVolume 23 of The Cycle, the 1935 yearbook for the Armour Institute of Technology. The Armour Institute of Technology yearbooks was known by three different titles: Integral (1898-1910), Senior Class Book (1911-1912), and The Cycle (1913-1940). A 1902 volume of Integral is not a part of Galvin Library collections; it is uncertain of a yearbook was published that year. Publication of the Armour Institute ceased in 1941, when the Armour Institute of Technology merged with the Lewis Institute to form Illinois Institute of Technology. Sponsorship: Scanning of the Armour Institute of Technology yearbooks was supported in part by an award from the Illinois State Historical Records Advisory Board, through funding from the National Historical Publications and Records Commission, National Archives and Records Administration. Show less
Volume 26 of The Cycle, the 1938 yearbook for the Armour Institute of Technology. The Armour Institute of Technology yearbooks was known by... Show moreVolume 26 of The Cycle, the 1938 yearbook for the Armour Institute of Technology. The Armour Institute of Technology yearbooks was known by three different titles: Integral (1898-1910), Senior Class Book (1911-1912), and The Cycle (1913-1940). A 1902 volume of Integral is not a part of Galvin Library collections; it is uncertain of a yearbook was published that year. Publication of the Armour Institute ceased in 1941, when the Armour Institute of Technology merged with the Lewis Institute to form Illinois Institute of Technology. Sponsorship: Scanning of the Armour Institute of Technology yearbooks was supported in part by an award from the Illinois State Historical Records Advisory Board, through funding from the National Historical Publications and Records Commission, National Archives and Records Administration. Show less
Volume 22 of The Cycle, the 1934 yearbook for the Armour Institute of Technology. The Armour Institute of Technology yearbooks was known by... Show moreVolume 22 of The Cycle, the 1934 yearbook for the Armour Institute of Technology. The Armour Institute of Technology yearbooks was known by three different titles: Integral (1898-1910), Senior Class Book (1911-1912), and The Cycle (1913-1940). A 1902 volume of Integral is not a part of Galvin Library collections; it is uncertain of a yearbook was published that year. Publication of the Armour Institute ceased in 1941, when the Armour Institute of Technology merged with the Lewis Institute to form Illinois Institute of Technology. Sponsorship: Scanning of the Armour Institute of Technology yearbooks was supported in part by an award from the Illinois State Historical Records Advisory Board, through funding from the National Historical Publications and Records Commission, National Archives and Records Administration. Show less
Design Direction was Mary Henry's 1946 thesis for her graduate degree at the Institute of Design. The project, completed in collaboration with... Show moreDesign Direction was Mary Henry's 1946 thesis for her graduate degree at the Institute of Design. The project, completed in collaboration with Emerson Woelffer, was based on a class for beginning students taught by Woelffer at ID. The course consisted of 18 exercises exploring the basic elements of design, each of which is represented in Henry's Design Directions. Book 1 consists of the design exercises themselves, Book 2 contains the textual component of the project. Show less