Untitled photograph by Mary Henry from her time as a student at the Institute of Design. Inscription on verso: "Photo lesson (Moholy-Nagy's... Show moreUntitled photograph by Mary Henry from her time as a student at the Institute of Design. Inscription on verso: "Photo lesson (Moholy-Nagy's photographic class at I.D., 1946. Study for showing shadows on 3 dimensional objects - lesson in lighting -" Show less
Photograph of a sculpture by Mary Henry taken during her time as a student at the Institute of Design. Inscription on verso: "A lesson in... Show morePhotograph of a sculpture by Mary Henry taken during her time as a student at the Institute of Design. Inscription on verso: "A lesson in welding in N. Lerner's class - I.D., 1946. Photographed in Moholy's class showing different lighting effects." Show less
Photograph taken by Mary Henry of a sculpture she made in Nathan Lerner's workshop during her time as a student at the Institute of Design.... Show morePhotograph taken by Mary Henry of a sculpture she made in Nathan Lerner's workshop during her time as a student at the Institute of Design. Inscription on verso: "Mary Henry Photography under Moholy-Nagy. Institute of Design, Chicago. Wire sculpture made in Nathan Lerner's Workshop, I.D." Show less
Photograph taken by Mary Henry in 1946 as part of a photography course taught by László Moholy-Nagy at the Institute of Design. Inscription on... Show morePhotograph taken by Mary Henry in 1946 as part of a photography course taught by László Moholy-Nagy at the Institute of Design. Inscription on verso: "Beginning photo lessons in Moholy-Nagy's class, learning to focus the camera, develop & print the negative. Chicago, 1946, Institute of Design." Show less
Photograph taken by Mary Henry in 1946 as part of a photography course taught by László Moholy-Nagy at the Institute of Design. Inscription on... Show morePhotograph taken by Mary Henry in 1946 as part of a photography course taught by László Moholy-Nagy at the Institute of Design. Inscription on verso: "Photographed for Moholy-Nagy's class at the Institute of Design, 1946. A lesson in lighting the subject." Show less
Typescript artist statement written by Mary Dill Henry in January, 1988. A Statement describes Henry's means of conceiving her geometric... Show moreTypescript artist statement written by Mary Dill Henry in January, 1988. A Statement describes Henry's means of conceiving her geometric paintings and her thoughts on their size and impact. Show less
Untitled pencil drawing by Mary Henry, possibly a sketch or study made during the development of a larger piece. Inscription: "Somber dark, 3... Show moreUntitled pencil drawing by Mary Henry, possibly a sketch or study made during the development of a larger piece. Inscription: "Somber dark, 3 panels - black brown blue with white stripes." Show less
Untitled ink drawings by Mary Henry. Inscription on verso reads "8' x 6' Feb 17 81" and also contains what appear to be mathematical... Show moreUntitled ink drawings by Mary Henry. Inscription on verso reads "8' x 6' Feb 17 81" and also contains what appear to be mathematical calculations. Show less
Photograph of Design on a Hill (1940), a stone lithograph by Mary Dill Henry, completed as a part of her studies with Ray Bertrand.... Show morePhotograph of Design on a Hill (1940), a stone lithograph by Mary Dill Henry, completed as a part of her studies with Ray Bertrand. Handwritten inscription on verso: "Lithograph #2, 1940 Federal Art Project, litho pencil on stone. Ray Bertrand, San Francisco Art Project, was my teacher." Typewritten inscription on verso: "Mary Henry: Design on a Hill, 1940. Stone lithograph, 12" x 16". Courtesy of the artist, Freeland, WA. Photo: Wm. Ziegler." Photograph by William Ziegler. Date of photograph unknown. Show less
