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Evaluation of the efficacy of power ultrasound technology  coupled with organic acids to reduce listeria monocytogenes on peaches and apples
Pilgrim Baptist Church, Chicago, Illinois, ca. 1964
Tidal Blossom
Jay Doblin with unidentified Institute of Design students, Illinois Institute of Technology, Chicago, Illinois, ca. 1955-1965
Correlating Microstructural Properties to Macroscopic Shear Mechanics to Improve the Understanding of Tissue Biomechanics
Jay Doblin's People Chair with an unidentified aluminum chair, ca. 1960
Postcard for a "Meet the Artist" event with Mary Henry, Gallery House, Palo Alto, California, 1989, recto
Postcard for a "Meet the Artist" event with Mary Henry, Gallery House, Palo Alto, California, 1989, verso
Postcard for a "Meet the Artist" event with Mary Henry, Gallery House, Palo Alto, California, 1989
Marnie Averitt and Jay Doblin in Sparky the Electric Auto, Chicago, Illinois, ca. 1961-1963
Takatsugu Sugiyama's Ribbon Chair, with Sugiyama and Jay Doblin in the background, Illinois Institute of Technology, Chicago, Illinois, ca. 1960
Takatsugu Sugiyama and Jay Doblin with Sugiyama's Ribbon Chair on the steps of S.R. Crown Hall, Illinois Institute of Technology, Chicago, Illinois, ca. 1960
Takatsugu Sugiyama and his Ribbon Chair, Jay Doblin and an unidentified man in the background, S.R. Crown Hall, Illinois Institute of Technology, Chicago, Illinois, ca. 1960
Jay Doblin with unidentified Institute of Design students, S.R. Crown Hall, Illinois Institute of Technology, Chicago, Illinois, ca. 1955-1965
Jay Doblin in Japan, ca. 1959
Jay Doblin with unidentified Institute of Design students and a car chassis, Illinois Institute of Technology, Chicago, Illinois, ca. 1955-1965
Jay Doblin
Exhibition announcement for Mary Henry's Exhibit, New Constructs, at Cliff Michel Gallery, Seattle, Washington, 1989, verso
Exhibition announcement for Mary Henry's Exhibit, New Constructs, at Cliff Michel Gallery, Seattle, Washington, 1989, recto
Exhibition announcement for Mary Henry's work at the Bellevue Art Museum, 2001, recto

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