l u I? y, l l" a x . l 'f ‘ f Q fill; l l . 2' ., ltl‘ All. Alllwlmczricuu Eullcgéutc Ncwugmguw Mombor, Assoclolod Colloglaic prams Official studcnl publication cl lllinois Institute of lechnoloqv. 33W Fodcrol Shoot. Chicago. Illinois. Published weekly during the; mileage year. Represented for national advertising by National Advcrllslm Service. lnc.. college publishers representatives, 420 Madison AWL. New York, N. Y., Chicago, Boston. Los Angeles, Sam Francisco. Enforcd on second class mailer October l0, HMO, at the post offico a? Chicago. Illinois. under the Act of March 3, ”179. Subscription rota 3!.00 par town. MANAGING llOAllD £dl’ror‘~in-mficl RH! EURKHART Business Manager ...PAUL A. THOMPSON ' Editor HOWIE ISAUM Sports Frlitm" FD AREMDS WlT MUSIC!“ MARTY GARRIEL New Editor l‘oalurc Fdilm‘ STAFF Ascistcnt Sperm Editor Yam Copy and Rewrite Editors——Sumuel Rand, Leater 'l‘cmplcmn, Sid 'ewic, Walter Zwicrzycki, Joe offer. Feature Writcruflwlllicm Furlong. Jack Elcaggc, Sherwood Hermon, Michael Worth. Tony Lumelku. .r Wnlnl‘ Bella’s. Chuck Hotshot ‘ ' ‘anmlrl Born, lien Holst . 1' TYPISTE Toni Rustic, Helen Delich, Beth Kelley, Irene BMW. Julio liallclm. ” REPORTERE v John Anderson, Jana Calm, Louio kaw, Loulu Fisher, Jetty .Friodmau, Sol Goldawln. Robert Guthrie, Henry Hnwry W. Al. ‘ Kaila. I). J. Kacmar, June Lyons, James Murphy, George O'Brlcu, , F. J. Paduvic. R. J. Palkorn. Poul Sample, S. A. Shuheen. Put Vocal. Editors Emeritus—Milton Bul‘kart, Harry Burkcrt, Human Gloom, , Alan Grant. Jim Broyhy. Adviser Financial Arlvwox TM“ News Bureau .....IET Businesu Office cool lllcultl lilpctlllllcn This week the Honor Board announced that u utucleut was recommended for a failure in. an English course. The punishment was based upon an admitted copying: of one part of a one hour exam, and was a final: offense by the student. At first glance, it appears that this penalty , may be too severe for a limit offense. Actually, it is not. The Honor System will never function at lllinois Tech unless these students who are inclined to cheat and copy quiz information we made aware of the cost. Copying will flourish L - as long as, the risk does not exceed the cost. The Honor System must be enforced, and . the sooner, thc better for all concerned. The . organization of the Honor System is simple, and , should not be too hard for a student to abide by. The purpose of the Honor System is to make men of sterling character and integrity for the , engineering profcusion. The program is not ', designed to be punitive, but rathcr to educate , the men here in practices of honor. In opera— tion, the Honor System is enforced by an Honor Board made up of nine student members elected by the student body, and two faculty advisom appointed by the Honor Board. ' The procedures to be followed by the in— structor in the operation of the Honor System mmay be summarized by the following simple rules : . 1. THE INSTRUCTQR SHOULD ANNOUNCE . THAT THE‘ QUIZ IS BEING GlVEN UNDER , THE HONOR SYSTEM. He should state that no paper will be graded unless the following pledge is written out and. aligned on the paper; “II have neither given n01" received aid on this quiz.” 2. ALTERNATE SEATING SHOULD BE AR— RANGED, 0R ALERNATE QUlZZES PRO- VlDED. This is to protect the student from the appearance of cheating if his eye inadvertently wanders or if he shifts his position. It is suga- gesteil that in all hour—long quizzes, mlmeo» graphed examinations be used. ’ %0§HE lNSTRUCl‘OR SHOULD NOT PROQ The instructor should leave the room, or, if he wishes, temain to answcc legitimate ques- tions about the quiz. ln any case, it is suggestcil that he remain in the room. for the first few minutes to answer questions and that he be present toward the end of the period to collect paper“. ll. ALL CASES OF SUSPECTED CHEATlNG SHOULD BE SUBMITTED T0 THE HUMOR BOARD. “The suspected papers should be sent to the Board in canoe of the Dean of Students. A seclctl letter should be enclosed containing all pclutl~ .nent facts. Such letters Wlll be held in the ctrictcst confidence Emil only authorized; persons will he allowed to see it. Tho instructor will be informed of the declsion of the boom. anal the faculty dicclplluuty committec.” llluu all“ llll’cc llfcclt mam. n mum-mm! $5 Ml M .3 cu} llllllll ’ 1 Elf; V:fll1lkt l 3 ‘57 “ m" lolllcl uwlllc Kcnnc h Mortlmor, “Mun cl" tho llll’cck,” didn’t waste any time omitting back to school oftolr being discharged from the service. He left tlic army on Novcmhcc 4,,l945, mull uttemlcal lulu first class Novcmliel: o. In Fcbruory, 1940, when Elan graduated from Lon‘o Technical High School, he enterccl lllT as! u mechanical engineering: co—op stu» dent. Mortimer believed that tho co- op program of» flared cu excel» la in t opportunity to obtcin pructl» col cupcnrlcnce am well us linunclul Support. Ken was cm» played liy the: American Steel Foundriec whom he began work em a gauge deuigncr. This gave him an opportunity to lic~ ‘ come familiar with the methods and procedures used in the mucu— t‘ucturc of railroad equipmcnt. ln l’lifi fimct semester Ken joiuotl the Glee Club and the Comp Club. He found his limo more than lulu-a quatcly tilled since he wan taking @0111: 12 ‘to 14.- credlt houm in each eight wool: co-op term. Ac Ken reminiscec about the old days. ho says, “One of the plonourcc we: got out of life was the 00-01) parties at the and 011’ each term which we luolcetl :Eorwuml to.” Upon completion of lilo limit your at tho American Stool Foundries, Ken liccamc a physical test tech- nician, his dutlcs including static cull {lynamlc testing and also actual mull looting of high opced freight equipment. ln August, 1942, Ken cutcccdl tho cignol corps: and woo soul; to the University of Chicago where lie co- iuuinctl for five months, learning" micronwovo tcchnlquc. Alter u good (leul of travel around the U. S. lac fouud lllmacl‘lf classed all a radial: technician bound for Italy. Ken stayed there tor 20 months before he got a chcnce to see HT once again. “ll/”lion ho returned to the campus lie became active ln the Glue. Club and rejoined ASME. Lust ucmestci' Ken was. pledged to Pi 'I‘uu Sigma, lmnomljv moclmnlcul cuginoecing I’mtémlty und Pi Nu Eycilan, honorary muolcul hotel-nu ity. Al; present lac is the cometary of Pi Nu Epsilon and treasurer of ASME. lilo to also working ac an auclstaut in the Technical Drawing Dcpoltmlent. ' Enemyuoil Honolulu culllu ficulclll llluuglll luuu Elmo ficulllmlulc lllllccluu lo llllll Despite tllc common. ballot that jazz come to Chicago in 1916, with the urrival of the (llulglnul Dixieland Jazz Band, true jazz lulu been in full swing on the South filuc cincc 1911. Before 1911 a. few small hands lead by “Jelly Roll" Morton frequented the small South Side hot Spots. The main, centers of amusement at this time were the Pckin Theater-Calm— i‘ct on 27th ll: 3mm Street, cml tho Big Grand Theater on flat and State Street. Both of them placcu tcatum ed legitimuto theater and vaudeville. In 1911, a group of New Orleans musicians culled The Original Creole Band, playing with the Pantugos Circuit, came to Chicago and played an engagement at the Big Grand Theater. The band consisted of; Freddie Keppard, comet; George Buguet, clarinet; Bill Johnson, buss; Jimmie Polo, violin; Bill Willlumfi, guitar; Eddie Vcnson, trombone; and Dick Johnson, drums. This band literally set Chicago on its our. No other band had brought such vitality and force to this new music called «lacs. This band won such acclaim that it earned itself long runs at the Grand Theater, on the South Side and the North Amen ican Restaurant and old Colonial Theater in the Loop. About this time the Victor record» ing company heard about this Wow dert‘ul new band that was taking Chicago Toy storm and sent a representative (lawn to find out about recording it. The representat— cuclu men as Tony Jackson and tlve was very surmised when the band refused to accord, for the men did not play with music and were afraid uomeouc would stool their numbers. it they were moonletl. This waryncsc of wax by such curly bonds has caused. much anguish to record colloctom. Many stories, have been told about tlliu Mud. Most of tlxo stories; were about Freddie Keppmml the comet player. chpucd was prob— ably tho most powerful comet play at ever to live. Witnesocu have clot- crl that. while he was playing at the Big Grand, first row putrons loud: to move back a few rows after the first number boccuse of his powerful, pungent, hum. After a few tours to the east and west coasts, the bunrl xztumed to Chicago in 1918 in the ‘l‘own Topics; Revue ut the 8th Stroct Theater. After tlliu Show closed, the hand broke up. Freddie Keppcrd wag ob fared a job at Dreamland Cafe on 35th 6: State. Bill Johnson got 9. job at the Royal Gurdena Cafe on Slat. uncl Cottage Grove. Johnson needed :5» new comet player so he sent to New Orleans for one. The comet playcr was Joe “King” Oliv- er. Tho golden era of Chlcugo jazz was on. (EEETIZJR’E NOW: 'l‘lill column in foo {summation ct" talcum from motion. Lather?) cuntclulng not mom on 250 woi'wlc wlll lac pummel. Aucumouo Bottom will not llro consmmefl toil l?nlfil§wfi0m. cltlmugli a writer’s: mum-lo will be withholll Elam mull- “cation ill“ damn: lEl’lER "IQ "l”l'llfi Ellllllll: Mlllt l’l‘lcco ‘ Hearing reliable reports of other institutions being able to reduce the price of mill; sets me to womlcrlug us to the whys of the HT “non-profit” cafeteria’s inflationary leaning. Loyola University, for one, has recently lowered their: lunclu'oom price of one pint of mill»: to twelve cents. Public schools, although government subsidizcd, seems to be able: to charge much lower yet. If til/ills is. one way to case our cost of calling lunch at HT let’s tomler an applica« tion f0? a subsidy. “Will all the “no parking” instructions c a I“ e f ul ly nlantcd in the most strategic posi- tions, oven 132153121115- millimon have found it mammary to sell quarts on the. mayo. The wuteccu product sold in atoms sells at the highest price in years-m twenty um} one half cents u. quart-w We pay eighteen cents for a. pint. Who gets the gravy? (signed) Rommel .l’ny Wuslwoclu chl‘tluc ' Ell? to probably the most unpro- tentious rengizzecring school in the s for as. facilities go. No« ”‘ rilEl‘lll‘? on clause. til ‘l‘luc humble Digger submits this column to the ccmtiny of the Ax. What does out get into print now will be edited later in book form anti will loe sold cxcluolvoly by the book slum. 331‘. Boder solved the problem of the recent (leformu- tion of the new chem building by ctating: ”My 161an contact with engineers leach; me to believe that the collapse of the structure was. because: the scotch tune they were using was not. of first grade quality.” 1?: 'tl: c I’r’ “le of tho Week” goes to Walter Kozlzzslci. ltle wont to tllc concert on outnr'ctc ticltcto he bought- at school. Wliilc there, lie mauled ticlte u for a Um“:- ycmity of Chicago iluncc to tltc audience. 5): o u: 2%: Audrey Road can’t underc‘tuudl the fascination llmt the bum limbs of the new builcllngu new gelling up lime lol- the Toclmwlcs who simulator hours anal game. After all, with all the lovely limbs walking umulul tho cautious, you’ll think the fellows woulgl wluo my. fix ll: Ill Golden foctheretl Evelyn Beecham entertaincé Ken Turner and Will Kedrow at the Frock Mixer last week. They disappeared into the dark Stairway by the iormet‘ Linl: Olficc. When they finally reappeared the boys were red in the face. Upon emerging, Evelyn only Izod this to say to the Scooper: “lt was all Tumor SL’ fault." ' x it: c u- =7: . Protector Stcvmmon saw fit to leave his cluscr to a tow minutes when two of his favorite pupils, Flo, “Humpty” Dumko and Phyllis “ Joyotc” Hagar deciéeil to play hockey. As they discreetly slipped from tho-u room they encountered an unexpected obstacle in tlic' lmll. Prof. walkeol back in with on unwilling wcncli on either arm. “Coyote” was later heard to moan, “We should have used the window.” ll: =l‘ :3: 2?- AB rcgulm- as clockwork, Ida Wright comets lnto tllc cafeteria circle morning with a varicil group of mole ctuclcuts. Rollover, none of them have been able to persuade Illa to go out with them. She Emails lnulotlng that lick“ boyfriend m; the Umive’rulty ct Chicago would not like it. 2}: $ :3 :1: . Marilyn “Bubbles” Carey, that scintllating “upstairs” librarian, has gained quite a repw tatlon around the campus lately. It seems that her quaint stories and other sundry uccomolish— ments tend to fascinate more than one naive engineer. Albert Emu-don, who knows all about women, says of Marilyn, “She may not be olcl enough to vote but she is certainly old enough. utluu film Bill ltnowlcs In the Goodman Theatre’é yroduction of “Saint Joan” by George Bernard Shaw are combinecl two ele‘ ments of modern drama which no earnest play—goof should miss. in fact, there are really three things about it you will want to see. The firsst is a “little theatre” group in action. The second is a. sample of Shaw’s fascinating and brilliant writing skill. And the thlrcl is, of course, the play in itself. The development of the little: theatre is u su’ojoct; which is truly remarkable. Those theatresfiome of them not so little—~uro in general nonvprofit organim~ tions. Being nomprofit they are free to present as many plays and spend time in the clevelopmcnt of new stage techniques which the profit. motivatccl commemicl theatres ilnd impractical. This does not mean that illicit” work is unpalatable or arty. Quite the contrary. it! these little theatres some of the test plays; of tlzo post and present. are procluced with the lat. . technical developments and by young actors who in c few youm will be headlining the broudwu And all um is w‘rl‘cred at mtremcly mosono‘ole prices. Mr. Shaw is so well know: u all; will need no introduction to him tron: have not stutiied his worku but .» Emma enjoyed them iuuncnsely. One of _‘ ., ., 1f recall with great. pleasm-e is file ’ cuts: that you « :‘EGXESQ‘Y * ministration l’fifimps ll "out tlzc last of tllc greuti hrckc’c-ficlci toy. Even suck Metre Same a little of is material for um the hi the talent cc their time a at the thou; Tech on 1;th unyone wi ., merits might ‘ g the corners o: ’ cu" 333d strec rule. The no cross these c: coming anotl go‘s death ll , the educatior - stitute, but , umlevcloped They say firmer Duke the Chicago . ing out oppi Mcfiiee is a ' 1‘50 the boys Tech who do 18-13022 truck: ’ ”wrong direct it must l "{hal) of tin ~a2‘e amusez student, who ,n his timing pieces. But tlemen who 2 lt’s unfair to the grid this talent l: a football After all, ev pound Not] couldn’t be street. til cuut {Continued tr: mallion.” T1 is also one < I ever saw. , Show from 1 “Candada.” His plays oscphy in tl olives or hazy: to keep subj« to really en} In fact, if yo: and. it is yot B. Shaw I v see it at less first time yc fascinated, b the theatre ' yerplexed st; lions. But a know you Wi most. woude: caustic bit 0 of humanity The play (3 . would expec heroism, mo: tion of Joux: poor council foolish Dump France, to pi Freud; sum; Goddumns fr burnctl at thl {ion f3: here {no right to revealed to l) for Emu .0. la no 211ch 31a holy person ‘1: I 1 i711} w . pic} .