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      <namePart>DeAnda, Michael Anthony</namePart>
   </name>
   <titleInfo>
      <title>Masculinities in Games for Gay Male Audiences</title>
   </titleInfo>
   <originInfo>
      <dateCreated keyDate="yes">2019</dateCreated>
   </originInfo>
   <note displayLabel="Degree Awarded">Spring 2019</note>
   <typeOfResource authority="aat" valueURI="http://vocab.getty.edu/page/aat/300028029">Dissertation</typeOfResource>
   <name type="corporate">
      <affiliation>Illinois Institute of Technology</affiliation>
   </name>
   <name type="corporate">
      <namePart>HUM / Humanities</namePart>
   </name>
   <name authority="wikidata" authorityURI="https://www.wikidata.org" valueURI="https://www.wikidata.org/wiki/Q58489216">
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      </role>
      <namePart>Kocurek, Carly A.</namePart>
   </name>
   <subject>
      <topic>Communication</topic>
   </subject>
   <subject>
      <topic>LGBTQ studies</topic>
   </subject>
   <subject>
      <topic>culture</topic>
   </subject>
   <subject>
      <topic>games</topic>
   </subject>
   <subject>
      <topic>gay</topic>
   </subject>
   <subject>
      <topic>masculinity</topic>
   </subject>
   <subject>
      <topic>queer</topic>
   </subject>
   <subject>
      <topic>queer game studies</topic>
   </subject>
   <language>
      <languageTerm type="code" authority="rfc3066">en</languageTerm>
   </language>
   <abstract>Games offer a unique site to understand how culture operates and works upon us. With the recent push for more representation of LGBTQ bodies and experiences in AAA games, queerness provides a necessary framework to critique the politics of these representations. In this project, I question the extent to which games marketed to gay men challenge or reify problematic values of heteronormativity and hegemonic masculinity. I argue that discussing representation in games necessitates interrogation beyond visual and narrative elements to include mechanics, constraints, rules, and systems. Here, I emphasize understanding how these components of games allow players to play with bodies or limit interactions in games and what these affordances/constraints relay about gender identity and sexuality. In my second chapter, I investigate how a game played on RuPaul’s Drag Race with male underwear models codes male/female binaries into gay sexuality. In Chapter 3, I analyze Drag Bingo through participant observation and oral histories with drag queen hosts and discuss how these hosts develop a liminal space in which players can joyfully play with gender and sexuality. I “close play” Robert Yang’s Cobra Club in Chapter 4, locating the game within the history of surveilling homosexuality. A design discussion of Bulge Lab, an Alternate Reality Game I developed that focuses on body image, masculinity, and viruses, comprises my fifth chapter.</abstract>
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   <accessCondition type="restrictionOnAccess">Restricted Access</accessCondition>
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